I don’t feel comfy with those “normal human events” that everyone takes part in like the parties they invited me in Berlin, or those club nights, or even much more innocent and usual festivals here. It’s mostly not because of the particular people. I can’t connect. Another version of me can, but I have to pretend hard to put on that act, and it ...
Orhan Veli'nin sevgilisine mektupları hakkında birkaç satır.
I used to think that the human nature is to deny nature, now I see that we have power relations everywhere
I like being present. Here, and now.
Why are there nothing new lately on this site?
Someone should write the story of a man living in an ancient civilization or a medieval village or a town whose lifelong job is keeping the time by counting numbers with a fixed time interval.
life is not a marathon. it is more like a run that you've spontaneously decided to take, and it is difficult. more difficult, i should say, than a marathon, i think
a poem that turns the lights off
my key takeaway and response to a story
an unhelpful guide for those who struggle to change
words of love part 3: surreal
a description of an eternal dance between the earth and the moon. eternal enough anyway
words of love part 2: silent suffering
i share my joy of being able to read books
words of love part 1: a poem
complaints about an unbreakable pattern. it is probably indeed breakable, but i couldn't succeed, not yet
people's beautiful creations amaze me. i want to gaze at them forever. but there is a part in me that wants to become an artisan too
it turns out things can be difficult to manage. still i survive, and it is a destructive result
he thought home would be easier to find
it is getting out of hand
a new way of life, probably. i see that things are changing. what to do now? how to handle change?
home is a word that can tentatively morph into anything. it is sort of unsettling to think about. also, i am in germany
"the curtains conserve what's enough only for us"
this is more of a log. it is about not being able to write recently and the seemingly never-ending problem of slumbering
a promise i make to myself uploaded here for the sake of commitment and accountability
hurt
hope grows on its own all the time. it is more uncontrollable when the gardener is absent, for it leaves room for the weed to grow
a bad poem about an mysterious call for pleasure
a detailed english explanation of "iyi ki doğdun" from my tongue. written for a special occasion
"there is charm in the mystery, i must uncover what lies beneath"
having social interactions and feeling weirdly good about them
our words, however noisy, may not make any sound, for they are mostly empty and distant. much like how our houses may not have any homes. yet, we stay
"no one knows that underneath this high-achieving machine slumbers a lazy ogre"
a relic of a memorable late night walk
the turkish translation of a text written, erroneously, in english for a friend
a letter of hopeless romantic hopefulness and an imitation of a style that i've encountered frequently
reflection on "i have a fascination with broken things"
might the answer be a hug in the woods? it sounds like a valid solution as we can not claim solitude
i have a fascination with broken things
a portrait of the stinky world around
a day, somewhat ordinary
"what to do as a statue when the moment of alignment is gone for good"
a description of an inanimate homunculus, and its story. you will have to be forgiving for it to count as both
flesh and the power it holds
a mommentary realisation of an undesired habit
it hurts to hope still
sometimes i can only write what i want to say, and put it here
episodes in life repeat themselves once in a while
a poem of rage and fear in three languages because why not
1 May 2022, 01:22
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there was a time when i was closer to catatonia's border
the "wheres" of some existences don't fit in our "theres"
a poem written in a distant room of a house
brief thoughts on creation. it is an act of overspillage
as i grow older, i grow further from what i used to believe, as i have not been taught how to
a dialogue between terrified uncertainty and ruthless naiveness
then it was no more